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Primas Stefan and his Royal Tziganes
I have written a great deal on this blog about Steven Staryk, but I haven't written much about his musical alter ego, Primus Stefan, a...
Amateurish Ramble
When I was in high school there were three kinds of musicians. There were people who were equally good at music and academic subjects, ther...
Mutability: In Memoriam
Luanne Koper read Shelley's "Mutability" at the memorial service for our friend Rob Zseleczky. She read it because Shelley was...
Six Pieces for Violin and Piano by Amanda Maier
Violinists and lovers of violin music will be happy to know that I just put two editions of Amanda Maier's Six Pieces for Violin and Pia...
Curiouser and Curiouser
Perhaps the problem with curiosity is that every time we find out something new (perhaps I should drop the "we" and speak for myse...
Authenticity
I'm playing a concert in two weeks. You will, no doubt, notice that between the pictures of two composers of works on the program (i.e.,...
The Power of Music
Kenneth Goodenough put this video in a comment on yesterday's post. It brought tears to my eyes, so I thought I'd liberate it from ...
Monteverdi's Zefiro Torna
It is pure medicine, during these trying times, to listen to these marvelous musicians play and sing this wonderful duet. I am amazed at the...
A Wonderful Time to be a Musician
DICK GORDON: [it] must have been such a wonderful time to be a talented musician in New York. FRANK GLAZER: . . . It’s a wonderful time to ...
Dots and Creativity
Playing Dots has nothing to do with being creative. I think it actually dulls creativity. Going out for a walk, or reading, or practicing,...
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One Grain More (One More Les Miserables Parody)
"Vulnerability is our Most Accurate Measurement of...
Value by the Numbers or is Enough is Enough?
Two Must-See Documentaries about Carlos Kleiber
Snows of Yesteryear
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The Lure of the Superficial
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One Grain More (One More Les Miserables Parody)
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