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Primas Stefan and his Royal Tziganes
I have written a great deal on this blog about Steven Staryk, but I haven't written much about his musical alter ego, Primus Stefan, a...
Six Pieces for Violin and Piano by Amanda Maier
Violinists and lovers of violin music will be happy to know that I just put two editions of Amanda Maier's Six Pieces for Violin and Pia...
Mutability: In Memoriam
Luanne Koper read Shelley's "Mutability" at the memorial service for our friend Rob Zseleczky. She read it because Shelley was...
Sergio Fiorentino's Bach
My friend Dan Barrett introduced me to this extraordinary recording of Bach's Partita No. 1, and I'm sharing it with you. The pauses...
Authenticity
I'm playing a concert in two weeks. You will, no doubt, notice that between the pictures of two composers of works on the program (i.e.,...
Monteverdi's Zefiro Torna
It is pure medicine, during these trying times, to listen to these marvelous musicians play and sing this wonderful duet. I am amazed at the...
Half-Acre Whole Family
Here's a moment of family music. Rachel and Ben have flown back to their grown-up nests, but right before they left (literally) we made...
A Major State of Ebb
Everything in my musical life has had its ebb and flow. My most exciting period of "flow" happened in my very early 30s, after I ...
Emergency Upholstery With or Without Sewing!
I have a great chair that I use for practicing, but it is upholstered with faux leather (i.e. plastic), and it can get uncomfortably hot and...
I'm Not Naming Names
I actually don't have to, because it seems that the bulk e-mail message I got yesterday from a well-known and well-respected conductor (...
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Dinner with Lenny
Lorca's Guitar
"No one looks at a flower, really. One hasn't time."
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Form Follows Capital
No Laughing Matter
Tamara Volskaya Plays Mozart's Rondo alla Turca
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The Tanglewood Story from 1949
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Form Follows Capital
10:44 AM
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Found stamped on the bathroom floor of the
Coffee Foundry
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